After a traditional opening story in The Passenger, this second installment in the revived Sapphire & Steel series proves to be anything but risk averse. The TV version used isolated settings and limbo sets to make the most of the theatricality inherent in its studio-based set-up. This story bravely moves into the realm of the ordinary, quotidian and mundane, with Sapphire warning Steel in mock horror that they are about to enter … suburbia.
Let’s go play happy families.
Big Finish and other publishers and production companies like it, specialising as they do to a certain extent in continuing traditions established on television years ago, can be seen as trading on fan nostalgia, on remembrances of things past. When they began their range of Doctor Who audios in 1999, their objective was partly to plug a perceived gap in the market – the show had by then been off the air for quite some time and it seemed apparent that Paul McGann’s Eighth incarnation, the current incumbent, was unlikely to return as a regular TV character anytime soon. The McGann audios were therefore seen as directly continuing the series, as if it were moving forwards with the show in ‘the present’ while the releases featuring the earlier actors to play the role were aimed inevitably at recreating on audio a television era that had already come and gone. Thus their adventures would seemingly be stylistically mired in the past while McGann’s would be able to move more easily with the times. Once the show came back to TV in 2005 however this would also stop being the case with Christopher Ecclestone taking over the mantle. But Big Finish thankfully proved to be able to provide more than simple exercises in nostalgia and have consistently delivered content that, to these ears, is considerably superior to its television counterpart without betraying its roots but instead developing and building on the promise of the show and without just being hidebound by its past.
Having said that, Sylvester McCoy was very much my Doctor Continue reading